DRAWING
The examination consists of:
1. Graphic exam
- Interview aimed at
2. evaluate the graphic works carried out in the classroom
3. evaluate the exercise at the end of the year
Each of the three parts will have an impact on the final evaluation for 1/3 of the final evaluation.
In particular, the examination will consist of a graphic test lasting 4 hours and an interview in which the graphic works carried out in the classroom and the examination exercise carried out independently by the students will be evaluated.
The practical test is aimed at assessing the skills learned by the student in manual drawing and project representation, while the interview is aimed at verifying the student's learning path and his ability to represent the project.
The course aims to promote the development of the following skills:
- Ability to use drawing as an act of expression and visual communication of the design idea from the formation of the idea to its executive definition.
- Ability to choose, use and combine methods, techniques and tools of representation and communication within all phases of the design process.
- Ability to use and apply standards and technical knowledge for representation and design.
- Ability to use graphic languages in different fields of application and in possible different expressions.
- know and apply the historical, theoretical and cultural bases of graphic communication;
- understand and apply the working mechanisms of the visual perception process;
- know and apply the main digital tools for encoding graphic messages;
- select the most appropriate tools, techniques, methods and strategies for encoding a visual communication message graphically;
- Recognise an effective visual communication message;
- Use graphic languages to communicate ideas, images, data, information, concepts and projects;
- Deepen independently the themes of the course;
- Updating your knowledge of digital tools in continuous evolution
- Updating your knowledge of the most significant case studies of the project themes that you will face from time to time.
MODULE I. DRAWING (architecture and design)
1. Hand-drawing
Sketch Drawing
Pencil drawing
Manual rendering
2. Geometric Drawing
Bases for descriptive geometry
Orthogonal projections.
Assonometry.
Methodological notes on perspective.
3. Technical Drawing
Drawing of the architectural project
Design Drawing
Language of communication of the project
Reference regulatory instruments (UNI)
4. Digital Drawing
Raster and vector drawing
2D CAD drawing
3D CAD drawing
MODULE II. GRAPHIC DESIGN (only architecture)
5. Graphic design
- Graphic languages and visual communication
- Elements of theory and history of graphic design
- Elements of graphic communication
- Visual identities and corporate image
- Principles and strategies of graphic composition
- The graphic communication of the project: panels, posters, portfolios and other paper and digital products
- Software: Photoshop, Illustrator, Indesign
During the course will be made available on the moodle page of the course teaching materials related to laws, case studies and theoretical papers useful for the design of the course.
In-depth study
Ching F.D.K., Design Drawing
Ching F.D.K., Drawing. A creative process
Ching F.D.K., Architectural Graphics
Docci M., Chiavoni E., Saper vedere l'architettura
Bini M., Bertocci S., “Manuale di rilievo architettonico e urbano”
Theoretical introductions to the topics of the lessons followed by practical exercises explained and carried out in the classroom and then completed individually by the student.
1) Readiness to offer individual assistance also in a foreign language (please specify) to incoming students: YES
Language English
2) Availability of supporting material and bibliographic references also in a foreign language (please specify): YES
List:
Exercise instructions
Lauseau P., Graphic Thinking for Architects and Designers.
Ching F., Design Drawing.
Porter T., Goodman S., Manual of Graphic Tecniques for Architects, Graphic Designers & Artists.
Brawn M., Architectural Thought: the Design Process and the Expectant Eye.
Edwards B., Understanding Architecture through Drawing.
Heuser K.C., Freehand Drawing and Sketching: A Training and Work Manual
Eissen K., Steur R., Sketching. Drawing Techniques for Product Design
3) Readiness to accept examination of incoming students also in a foreign language (please specify): YES
Language English